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When Arguments Merge
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Arguments with England
'Some of the most exhilarating writing about theatre ever committed to paper, a beady and original analysis of Britain (and incidentally British theatre) in the 50s and 60s, a profound account of the evolution of modern Australia, and a darkly frank one of the inner life of its author.His arguments with England are in the end arguments with himself, but they are utterly engrossing.' SIMON CALLOW, Guardian'This beautifully written book by the director Michael Blakemore puts most such volumes to shame.It is full of both sharp insights and sudden shafts of wisdom.Often wonderfully funny, it is also touching and painfully honest.By the time you have finished Arguments with England, the author feels like an unusually wise and sympathetic friend.' Sunday Telegraph
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Just the Arguments : 100 of the Most Important Arguments in Western Philosophy
Does the existence of evil call into doubt the existence of God?Show me the argument. Philosophy starts with questions, but attempts at answers are just as important, and these answers require reasoned argument.Cutting through dense philosophical prose, 100 famous and influential arguments are presented in their essence, with premises, conclusions and logical form plainly identified.Key quotations provide a sense of style and approach.Just the Arguments is an invaluable one-stop argument shop.A concise, formally structured summation of 100 of the most important arguments in Western philosophyThe first book of its kind to present the most important and influential philosophical arguments in a clear premise/conclusion format, the language that philosophers use and students are expected to knowOffers succinct expositions of key philosophical arguments without bogging them down in commentaryTranslates difficult texts to core argumentsDesigned to provides a quick and compact reference to everything from Aquinas’ “Five Ways” to prove the existence of God, to the metaphysical possibilities of a zombie world
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A Rulebook for Arguments
From academic writing to personal and public discourse, the need for good arguments and better ways of arguing is greater than ever before. This timely fifth edition of A Rulebook for Arguments sharpens an already-classic text, adding updated examples and a new chapter on public debates that provides rules for the etiquette and ethics of sound public dialogue as well as clear and sound thinking in general.
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What are authority arguments, factual arguments, and normative arguments?
Authority arguments are based on the expertise or credibility of the source making the argument. They rely on the reputation or qualifications of the person or organization presenting the information. Factual arguments are based on evidence, data, and verifiable information. They rely on the accuracy and truthfulness of the information presented to support a particular point of view. Normative arguments are based on values, beliefs, and moral principles. They rely on what is considered to be right or wrong, good or bad, and are often used to make ethical or moral judgments.
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What are the arguments for violent movies?
Some arguments for violent movies include the idea that they provide an outlet for people to explore and experience intense emotions in a safe and controlled environment. Additionally, some argue that violent movies can serve as a form of catharsis, allowing viewers to release pent-up aggression and frustration. Others believe that violent movies can serve as a reflection of real-life societal issues and can prompt important discussions about violence and its impact on individuals and communities.
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What are the arguments for movies rated 18+?
Movies rated 18+ are restricted to adult audiences due to their mature content, which may include graphic violence, explicit sexual content, strong language, or disturbing themes. The arguments for this rating include protecting minors from exposure to inappropriate content, allowing filmmakers creative freedom to explore complex and controversial topics without censorship, and providing a clear guideline for parents and viewers to make informed decisions about the content they consume. Additionally, an 18+ rating can help prevent potential harm or negative effects on younger audiences who may not be emotionally or mentally prepared to handle the content.
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What are arguments in favor of violent movies?
Some arguments in favor of violent movies include the idea that they provide an outlet for people to explore their darker emotions in a safe and controlled environment. Additionally, some argue that violent movies can serve as a form of catharsis, allowing viewers to release pent-up aggression or frustration. Furthermore, proponents of violent movies may argue that they can serve as a reflection of real-world violence and help raise awareness about important social issues.
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Philosophical Uses of Categoricity Arguments
This Element addresses the viability of categoricity arguments in philosophy by focusing with some care on the specific conclusions that a sampling of prominent figures have attempted to draw – the same theorem might successfully support one such conclusion while failing to support another.It begins with Dedekind, Zermelo, and Kreisel, casting doubt on received readings of the latter two and highlighting the success of all three in achieving what are argued to be their actual goals.These earlier uses of categoricity arguments are then compared and contrasted with more recent work of Parsons and the co-authors Button and Walsh.Highlighting the roles of first- and second-order theorems, of external and internal theorems, the Element concludes that categoricity arguments have been more effective in historical cases that reflect philosophically on internal mathematical matters than in recent questions of pre-theoretic metaphysics.
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Film Theory Reader: Debates & Arguments
"An excellent collection of provocative and compelling debates, expertly and elegantly arranged.Essays new and old form a dynamic and accessible portrait of ideas foundational to contemporary thinking about film.This book is sure to inspire."Haidee Wasson, Concordia University, Montreal"Marc Furstenau retraces the most important issues in film theory, and makes them interact with the current debate on cinema and post-cinema.A historical legacy becomes a living source - and the site of a passionate debate."Francesco Casetti, Catholic University of Milan and Yale University. The Film Theory Reader brings together a range of key theoretical texts, organized thematically to emphasise the development of specific critical concepts and theoretical models in the field of film theory. Each section presents well-known or significant texts, which have introduced a particularly influential concept, followed by texts that have developed or extended the concept, or that have offered explicit critiques or arguments against the original model.The collection thus represents and reproduces the debates and arguments that have shaped the theoretical landscape of film studies, guiding the reader through the complex terrain of theoretical debate, and offering suggestions for further reading and research. An Introduction from the editor contextualises the essays and provides a logical guide to the book, clarifying the links between articles and tracing the development of key arguments.The notes to the Introduction include extensive references, for readers to explore and further their own studies, as they are guided through the history of debate in film theory.
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Connected History : Essays and Arguments
Sanjay Subrahmanyam is becoming well known for the same sort of reasons that attach to Fernand Braudel and Carlo Ginzburg, as the proponent of a new kind of history - in his case, not longue durée or micro-history, but 'connected history': connected cross-culturally, and spanning regions, subjects and archives that are conventionally treated alone.Not a research paradigm, he insists, it is more of an oppositionswissenschaft, a way of trying to constantly break the moulds of historical objects.The essays collected here, some quite polemical - as in the lead text on the notion of India-as-civilization, or another, assessing such a literary totem as V.S. Naipaul - illustrate the breadth of Subrahmanyam's concerns, as well as the quality of his writing.Connected History considers what, exactly, is an empire, the rise of 'the West' (less of a place than an idea or ideology, he insists), Churchill and the Great Man theory of history, the reception of world literature and the itinerary of subaltern studies, in addition to personal recollections of life and work in Delhi, Paris and Lisbon, and concluding remarks on the practice of early-modern history and the framing of historical enquiry.
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Consider The Lobster : Essays and Arguments
Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike's deal anyway? And who won the Adult Video News' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar?David Foster Wallace answers these questions and more in his new book of hilarious non-fiction. For this collection, David Foster Wallace immerses himself in the three-ring circus that is the presidential race in order to document one of the most vicious campaigns in recent history.Later he strolls from booth to booth at a lobster festival in Maine and risks life and limb to get to the bottom of the lobster question.Then he wheedles his way into an L.A. radio studio, armed with tubs of chicken, to get the behind-the-scenes view of a conservative talkshow featuring a host with an unnatural penchant for clothing that only looks good on the radio.In what is sure to be a much-talked-about exploration of distinctly modern subjects, one of the sharpest minds of our time delves into some of life's most delicious topics.
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What are counter-arguments or opposing arguments?
Counter-arguments or opposing arguments are points of view that challenge or contradict the main argument or position being presented. They are used to provide a balanced perspective and to acknowledge the complexity of an issue. Counter-arguments can be used to anticipate and address potential objections or criticisms, and to strengthen the overall argument by demonstrating an understanding of different viewpoints. By addressing counter-arguments, the author can show that they have considered multiple perspectives and have arrived at a well-reasoned conclusion.
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Counter-arguments or opposing arguments are sought.
Counter-arguments or opposing arguments are sought in order to strengthen one's own argument by addressing potential weaknesses or objections. By considering and addressing opposing viewpoints, one can demonstrate a deeper understanding of the issue and show that their argument is well-reasoned and supported by evidence. Additionally, engaging with counter-arguments can help to anticipate and preemptively address objections that others may have, making the argument more persuasive overall. Overall, seeking out and addressing opposing arguments can lead to a more robust and convincing argument.
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Are advantages pro-arguments and disadvantages contra-arguments?
Yes, advantages are typically considered pro-arguments, as they support a particular position or decision by highlighting the benefits or positive aspects. On the other hand, disadvantages are often seen as contra-arguments, as they present reasons against a certain position or decision by pointing out the drawbacks or negative aspects. Both advantages and disadvantages are used to weigh the pros and cons of a situation and make informed decisions.
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What are three pro arguments and three con arguments?
Three pro arguments for using social media are its ability to connect people from all over the world, its potential for networking and career opportunities, and its convenience for staying updated on news and trends. Three con arguments against social media include its negative impact on mental health and self-esteem, the spread of misinformation and fake news, and the potential for privacy and security risks.
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