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  • Engaging Characters : Fiction, Emotion, and the Cinema
    Engaging Characters : Fiction, Emotion, and the Cinema

    Characters - those fictional agents populating the fictional worlds we spend so much time absorbed in - are ubiquitous in our lives.We track their fortunes, judge their actions, and respond to them with anger, amusement, and affection - indeed the whole palette of human emotions.Powerfully drawn characters transcend their stories, entering into our imaginations and deliberations about the actual world, acting as analogies and points of reference. And yet there has been remarkably little sustained and systematic reflection on these creatures that absorb so much of our attention and emotional lives. In Engaging Characters, Murray Smith sets out a comprehensive analysis of character, exploring the role of characters in our experience of narrative and fiction.Smith's analysis focuses on film, and also illuminates character in literature, opera, song, cartoons, new and social media.At the heart of this account is an explanation of the capacity of characters to move us.Teasing out the various dimensions of character, Smith explores the means by which films draw us close to characters, or hold us at a distance from them, and how our beliefs and attitudes are formed and sometimes reformed by these encounters.Integrating these arguments with research on emotion in philosophy, psychology, evolutionary theory, and anthropology, Engaging Characters advances an account of the nature of fictional characters and their functions in fiction, imagination, and human experience. In this revised, twenty-fifth anniversary edition of Engaging Characters, Smith refines and extends the arguments of the first edition, with a substantial new introduction reviewing the debates on emotion, empathy, and film spectatorship that the book has inspired.

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  • The Defining Moment : How Writers and Actors Build Characters
    The Defining Moment : How Writers and Actors Build Characters


    Price: 22.50 £ | Shipping*: 3.99 £
  • Working with Actors : Meisner Technique for Directors and Actors
    Working with Actors : Meisner Technique for Directors and Actors

    Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’

    Price: 16.99 £ | Shipping*: 3.99 £
  • Sketching from the Imagination: Characters : Characters
    Sketching from the Imagination: Characters : Characters

    Sketches and drawings are the foundations of great art, where thoughts and concepts first come to life as an image.In Sketching from the Imagination: Characters, fifty talented artists share their sketches, inspirations, and approaches to creating characters.This book is a visually stunning collection packed with useful tips and creative insights--an invaluable resource that will inspire artists of all abilities.

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  • How do I introduce characters in a screenplay?

    When introducing characters in a screenplay, it's important to provide enough detail to give the reader a clear sense of who the character is and what they are like. This can include physical descriptions, personality traits, and any other relevant information that helps to establish the character's identity. It's also important to consider how the character's introduction fits into the overall story and to make sure that the introduction feels natural and not forced. Finally, it can be helpful to use the character's actions and dialogue to reveal more about them, rather than relying solely on description.

  • How do you describe the characters in a screenplay?

    Characters in a screenplay are typically described through a combination of physical attributes, personality traits, and character arcs. This includes details such as age, gender, appearance, and any distinguishing features. Additionally, their motivations, goals, and relationships with other characters are often highlighted to give a deeper understanding of who they are and how they fit into the story. Descriptions should be concise yet vivid, allowing the reader to visualize the character and their role in the narrative.

  • Who knows movies in which weak characters become strong characters?

    There are many movies that feature weak characters who undergo a transformation to become strong characters. One example is "Rocky," where the protagonist goes from being a struggling boxer to a determined and resilient fighter. Another example is "The Karate Kid," where the main character starts off as a bullied teenager and becomes a skilled martial artist. These types of movies often showcase the journey of personal growth and empowerment, inspiring audiences with the message that anyone can overcome their weaknesses and become strong.

  • Are actors who play homosexual characters in movies also homosexual in real life?

    No, actors who play homosexual characters in movies are not necessarily homosexual in real life. Acting is about portraying a character, and actors often take on roles that are different from their own personal identities. Many actors are able to convincingly portray a wide range of characters, regardless of their own sexual orientation.

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  • Sketch Workshop: Fantasy Characters : Fantasy Characters
    Sketch Workshop: Fantasy Characters : Fantasy Characters

    The Sketch Workshop – Fantasy Characters is 3dtotal's answer to the question: 'Why can't I draw like fantasy characters that?' Designed for beginners and hobbyists alike, it's a fun and innovative way for people of all ages to find the inspiration to pick up a pencil and draw.It is different from our other books in that it is 50 percent a workbook in which you draw and 50 percent a project guide with instructional text and reference images for drawing characters.Created by a number of top industry artists who share their tips and tricks and help you grasp the fundamental elements needed to sketch gorgeous fantasy characters.

    Price: 7.99 £ | Shipping*: 3.99 £
  • Theophrastus: Characters
    Theophrastus: Characters

    Theophrastus:Characters is a collection of thirty short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC.It is a unique work which has had a profound influence on European literature.This edition aims to make it accessible to students, by offering a radically improved text and a commentary which brings out the meaning and nuances of the dazzling but sometimes difficult Greek and offers full elucidation of the often enigmatic references to contemporary social practices and historical events.There is also a full introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and its literary qualities.

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  • Script Analysis for Actors, Directors, and Designers
    Script Analysis for Actors, Directors, and Designers

    Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.

    Price: 38.99 £ | Shipping*: 0.00 £
  • Beginner's Guide to Digital Painting in Photoshop: Characters : Characters
    Beginner's Guide to Digital Painting in Photoshop: Characters : Characters

    Beginner's Guide to Digital Painting: Characters is a comprehensive guide for artists wishing to create convincing and detailed characters.It features established artists such as Charlie Bowater (concept artist at Atomhawk) and Derek Stenning (freelance concept artist and illustrator, with clients such as Marvel Entertainment and Nintendo) who share their industry experiences by covering such aspects as posing characters, choosing the correct costumes, conveying emotions, and creating suitable moods.Conclusive step-by-step instructions make this an invaluable resource for artists looking to learn new skills, as well as those pursuing the next level.

    Price: 29.99 £ | Shipping*: 0.00 £
  • Which movies have confident characters?

    Movies with confident characters include "The Devil Wears Prada" with Meryl Streep's character Miranda Priestly, "Legally Blonde" with Reese Witherspoon's character Elle Woods, and "The Pursuit of Happyness" with Will Smith's character Chris Gardner. These characters exude self-assurance and belief in themselves, which drives the plot and inspires the audience. Their confidence often leads to personal growth and success, making them compelling and empowering to watch.

  • Which movies contain bisexual characters?

    Some movies that contain bisexual characters include "The Kids Are All Right" (2010), where Julianne Moore's character explores her bisexuality, and "Carol" (2015), where Cate Blanchett's character has a romantic relationship with a woman while also being attracted to men. Another example is "Call Me by Your Name" (2017), where Armie Hammer's character has a romantic relationship with a man while also expressing attraction to women. These movies depict the complexity and diversity of bisexual experiences.

  • Which movies have strong male characters?

    There are many movies with strong male characters, but some notable examples include "Gladiator" with Russell Crowe's portrayal of Maximus, "The Dark Knight" with Christian Bale's portrayal of Batman, and "The Shawshank Redemption" with Tim Robbins' portrayal of Andy Dufresne. These characters exhibit strength in different ways, whether it's physical prowess, moral fortitude, or resilience in the face of adversity. These movies showcase the complexity and depth of strong male characters in various genres and storylines.

  • Are white voice actors allowed to dub black characters?

    While there is no strict rule against white voice actors dubbing black characters, there is a growing awareness and push for more diversity and representation in voice acting. Many people believe that characters should be voiced by actors who share the same racial or ethnic background to ensure authenticity and avoid perpetuating stereotypes. Ultimately, the decision may vary depending on the production and the sensitivity of the subject matter.

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