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Working with Actors : Meisner Technique for Directors and Actors
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’
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Script Analysis for Actors, Directors, and Designers
Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.
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Queer Cinema in Contemporary France : Five Directors
Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma.The films of these five major French directors exemplify queer cinema in the twenty-first century.Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors’ careers, from their earliest, often unknown films to their later, major films with wide international release.Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring.Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject. -- .
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Meisner in Practice : A Guide for Actors, Directors and Teachers
A step-by-step introduction to the key features of the Meisner Technique, including a full set of practical exercises. The Meisner Technique is at the forefront of actor training today: with its radical simplicity it has the power to reconnect actors with their bodies and emotions. Developed by the teacher and actor Sanford Meisner, the technique places emphasis on truthful interaction between actors.The aim is for the actor 'to live truthfully under imaginary circumstances' – to remain truly 'in the moment'. In Meisner in Practice, Nick Moseley offers actors a step-by-step introduction to the salient features of the technique, and puts these to the test through a succession of increasingly challenging practical exercises.He also addresses certain pitfalls and problems that he has encountered over many years of teaching Meisner in drama schools. This book will be of immense value to students, teachers and practitioners in exploring a technique that is becoming increasingly recognised as a core element of actor training.
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Are actors allowed to deviate from their script or screenplay?
Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.
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How do the directors film their movies?
Directors film their movies by working closely with the cinematographer to plan the visual style and composition of each shot. They use various camera angles, movements, and lighting techniques to convey the mood and emotion of the scene. Directors also collaborate with the production design team to create the overall look and feel of the film. They may use different filming techniques such as handheld, steady cam, or crane shots to achieve the desired effect. Ultimately, directors use their creative vision and technical expertise to bring the script to life on screen.
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What do you give actors for the premiere?
For a premiere, it is common to give actors a bouquet of flowers or a thoughtful gift that shows appreciation for their hard work. Some popular gift ideas include personalized items, luxury skincare products, or gift certificates to their favorite restaurants or stores. It is also a nice gesture to write a heartfelt note expressing gratitude for their performance.
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Does the master degree supersede the bachelor degree?
No, a master's degree does not necessarily supersede a bachelor's degree. Both degrees hold their own value and are important in their own right. A master's degree typically builds upon the knowledge and skills gained during a bachelor's degree, allowing for more specialized study and expertise in a particular field. However, both degrees are valuable and can lead to different career opportunities and paths.
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Essential Acting : A Practical Handbook for Actors, Teachers and Directors
How do actors fuse thought, emotion and action within their creative process?Essential Acting is an inspired and reliable toolbox for actors and teachers in the classroom, the rehearsal room and the workshop.RADA's Brigid Panet has distilled nearly 60 years of acting, directing and actor training into a unique recipe which brilliantly combines the teachings of Stanislavsky and Laban into an invaluable practical resource. These exercises are built around the need for simple, achievable techniques that can be applied by actors, teachers and directors to answer the myriad requirements of actor training.The goal is to produce a continuous level of achievement, addressing:How to rehearseHow to work with a textHow to audition for drama schoolHow to access the truth of feelings and actions. Essential Acting will be a must-have purchase for anyone looking for a comprehensive study guide to the necessary work of the actor.
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Directing Feature Films : The Creative Collaboration Between Directors, Writers, and Actors
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Shakespearean Rhetoric : A Practical Guide for Actors, Directors, Students and Teachers
Classical Rhetoric, the art of persuasion, formed the sum and substance of Shakespeare’s education and was the basis of his understanding of the power of language and how it worked to move, delight and teach. Rhetoric, which seeks to explain the way that language works to influence others, provides a powerful, transformative tool for approaching text in performance. This book helps you understand the key concepts of rhetoric. It gives clear explanations, stripped of jargon, and examples of rhetorical technique in the plays. It also provides engaging, practical exercises to unlock character and to identify themes in the plays through the lens of rhetoric. Academically rigorous, based on more than a decade of practical experience in the use of rhetoric in drama at the highest level, it is an ideal companion for anyone engaging with Shakespeare in performance.
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Shakespeare on the Factory Floor : A Handbook for Actors, Directors and Designers
A passionate, illuminating exploration of Shakespeare's greatest plays and characters, by the director of acclaimed theatre company Shakespeare at the Tobacco Factory. Combining close textual analysis with practical insights based on his extensive experience of directing Shakespeare's plays, Andrew Hilton delves into a fascinating range of topics such as emotional truth in the comedies, the importance of the plays' social dynamics, the choice of settings and periods, making and withholding moral judgements, working with different versions of the texts, and even adapting them. Throughout, Hilton urges us as audiences and theatre-makers to set aside our preconceived notions, and instead to approach Shakespeare's plays with an open mind, moment by moment, so that we can connect with them in fresh and vital ways. 'The clear-sightedness, wit and depth of knowledge and insight into the plays and their worlds is unparalleled... should be required reading for everyone approaching these plays...A fabulous book, brimful of wisdom and revelations and a gift to anyone interested in Shakespeare or, quite frankly, in people' John Heffernan, actor'Andrew Hilton's Tobacco Factory Shakespeares were an inspiration...What audiences saw and heard was not a display but an uncovering.His productions did not add to the drama: they revealed it...In Shakespeare on the Factory Floor, Hilton has once again lit up Shakespeare: lucid and penetrating on the page and on the stage' Susannah Clapp, theatre critic of the Observer'The detail and simplicity of Andrew Hilton's directing is as potent in his writing as it is in the rehearsal room...A wonderful book' Dorothea Myer-Bennett, actor'Andrew Hilton has used his rich experience of many years to create a penetrating, timely and distinctive study of the plays… I only wish this book had been around when first I read Shakespeare.It would have opened my eyes and my mind much earlier' Professor Sir Christopher Frayling, Former Rector of the Royal College of Art and Chair of Arts Council England'Andrew Hilton's fascinating book reveals how theatrical performance offers insights into longstanding questions of literary interpretation… Written in an engaging and readable style, it will be of interest to actors, directors, scholars and anyone who enjoys reading Shakespeare's plays or seeing them performed' Lesel Dawson, Senior Lecturer in English at the University of Bristol
Price: 16.99 £ | Shipping*: 3.99 £
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What degree is required for a psychology degree?
A bachelor's degree in psychology is typically required to pursue a career in psychology. However, some positions may require a master's or doctoral degree in psychology, depending on the specific career path. Additionally, individuals may also need to obtain state licensure or certification to practice as a psychologist, which often requires completing a certain number of supervised clinical hours and passing a licensure exam.
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Is the master's degree easier than the bachelor's degree?
The difficulty of a master's degree compared to a bachelor's degree can vary depending on the individual and the specific program. Generally, master's degree programs are more specialized and in-depth, requiring a higher level of critical thinking, research, and analysis. However, some students may find the master's degree easier if they have a strong interest and background in the subject matter. Ultimately, the difficulty of a master's degree is subjective and can depend on the individual's prior knowledge, study habits, and level of commitment.
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Is a bachelor's degree worthless after a master's degree?
A bachelor's degree is not worthless after obtaining a master's degree. While a master's degree may provide more specialized knowledge and skills in a particular field, a bachelor's degree still holds value as a foundational education and can be relevant in many career paths. Additionally, having both degrees can demonstrate a well-rounded education and a commitment to continuous learning, which can be attractive to employers. Ultimately, the value of a bachelor's degree after obtaining a master's degree depends on the individual's career goals and the specific requirements of their chosen field.
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How exhausting is a double degree or a parallel degree?
A double degree or parallel degree can be very exhausting due to the increased workload and time commitment. Students pursuing two degrees simultaneously often have to balance multiple sets of coursework, exams, and deadlines, leading to a heavy academic burden. Additionally, managing the requirements of two different programs can be mentally and physically draining. However, for those who are passionate about both fields of study, the rewards of earning two degrees may outweigh the exhaustion.
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