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  • Source Work for Actors
    Source Work for Actors

    An actor delves into the electrifying world of Jerzy Grotowski’s Polish Laboratory Theatre. The legacy of Polish theatre director Jerzy Grotowski comes to life in this personal account of a workshop and intensive with Laboratory Theatre master actor Zbigniew Cynkutis.This volume provides a rare window into the actor training and performance practices of one of the most influential and revolutionary theaters of the twentieth century. Drawing from extensive notes and recordings made during Cynkutis’s last workshop in the United States, Diane Edgecomb’s Source Work for Actors takes us to the heart of the workshop experience from the perspective of a young actor determined to make this process her own.Cynkutis’s voice and presence are palpable throughout the book as he guides a group of actors to a deep understanding of his artistic philosophy and craft.Stimulated by a developing series of tasks, Laboratory Theatre training exercises, and Cynkutis’s startling demonstrations, the group is challenged to bring their whole selves to the work and to reimagine what is possible in theatre. This compelling volume bears witness to the power of a deeply visceral form of theater and illustrates why the works of Grotowski and his actors have had such a profound impact on generations of theater artists.It is sure to stimulate students, challenge directors, and inspire innovative work.

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  • Working with Actors : Meisner Technique for Directors and Actors
    Working with Actors : Meisner Technique for Directors and Actors

    Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’

    Price: 16.99 £ | Shipping*: 3.99 £
  • Script Analysis for Actors, Directors, and Designers
    Script Analysis for Actors, Directors, and Designers

    Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.

    Price: 38.99 £ | Shipping*: 0.00 £
  • Bad Actors Have Their Work Cut Out mug.
    Bad Actors Have Their Work Cut Out mug.

    The whole Fantastic Four reboot movie should be cut out shredded to bits and thrown into a lake of fire back when it was still a concept. Anyway bad actors make or break a movie and this humor t-shirt pokes fun at them with a bit of wit.

    Price: 14.95 € | Shipping*: Free €
  • Why do people work as funeral directors?

    People work as funeral directors for a variety of reasons. Some are drawn to the profession out of a desire to help others during a difficult time, providing comfort and support to grieving families. Others may have a personal connection to the industry, such as a family history of working in funeral services. Additionally, some individuals are attracted to the technical and organizational aspects of the job, such as coordinating funeral arrangements and managing the logistics of the funeral process. Overall, working as a funeral director can be a meaningful and rewarding career for those who are compassionate, detail-oriented, and dedicated to serving others.

  • Do actors work in Thailand?

    Yes, actors work in Thailand. The country has a thriving entertainment industry with a variety of television shows, films, and theater productions that require talented actors. Many Thai actors have gained recognition both locally and internationally for their work in the industry. Thailand also has a growing number of international productions being filmed in the country, providing opportunities for actors from around the world to work there.

  • Which foreign actors work in Germany?

    There are various foreign actors who work in Germany, including multinational corporations, international organizations, foreign governments, and foreign investors. These actors contribute to Germany's economy and cultural diversity, bringing in new ideas, technologies, and investments. Additionally, Germany's strong economy and skilled workforce make it an attractive destination for foreign actors looking to expand their operations or establish a presence in Europe.

  • Are actors allowed to deviate from their script or screenplay?

    Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.

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  • Robert De Niro at Work : From Screenplay to Screen Performance
    Robert De Niro at Work : From Screenplay to Screen Performance

    Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance.In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text.This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process.The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role.As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.

    Price: 24.99 £ | Shipping*: 3.99 £
  • Backstage : Portraits of Actors at Work in the Theatre
    Backstage : Portraits of Actors at Work in the Theatre

    “…delivers an absorbing portrait of actor’s final preparation during their last 30 minutes before going on stage.” – The LadyBritish photographer Simon Annand has been shooting candid photographs backstage at West End theatres in London for 35 years.In these meditative portraits, often shot in the intimate space of the dressing room, he captures the focus and tension of world-class actors right before they go on the stage.Actors such as Cate Blanchett, Orlando Bloom, Anthony Hopkins, Jake Gyllenhaal and Judi Dench are seen in these moments of vulnerability, which every actor experiences no matter how long they have been working.Backstage, with an introduction by Cate Blanchett, contains a hand-picked selection of Simon Annand's remarkable and unique portraits.

    Price: 25.00 £ | Shipping*: 3.99 £
  • Contemporary Issues in Work and Organisations : Actors and Institutions
    Contemporary Issues in Work and Organisations : Actors and Institutions

    In a complex and interconnected world, work and organisations are rapidly changing.This book addresses key emerging issues by adopting an imaginative and innovative approach.Its comprehensive coverage on work and organisations aim to:provide understanding of the external forces and institutions that are changing workplaces and organisations;examine how organisations are being managed from within and how this reshapes the way individuals and groups relate to each other, whether they be employers, employees, independent professionals or contingent workers; andintegrate these two perspectives to show how both internal and external forces are interconnected and influence each other. By combining theory and case studies, the book illuminates how ideas and concepts can be applied to work and organisations in a variety of contexts. Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

    Price: 38.99 £ | Shipping*: 0.00 £
  • Queer Cinema in Contemporary France : Five Directors
    Queer Cinema in Contemporary France : Five Directors

    Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma.The films of these five major French directors exemplify queer cinema in the twenty-first century.Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors’ careers, from their earliest, often unknown films to their later, major films with wide international release.Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring.Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject. -- .

    Price: 25.00 £ | Shipping*: 3.99 £
  • How does it work with the actors?

    Actors are hired by production companies or casting directors to portray characters in films, television shows, or theater productions. They audition for roles by performing scenes or monologues that showcase their talent and suitability for the part. Once cast, actors work closely with directors and other cast members to bring the script to life through rehearsals and performances. They must embody the emotions, motivations, and characteristics of their characters to create a believable and engaging performance for the audience.

  • How does age verification work in the cinema for movies rated 16 and above?

    Age verification in cinemas for movies rated 16 and above typically involves checking the identification of patrons to ensure they meet the age requirement. This can be done by requesting a valid ID such as a driver's license, passport, or identity card that shows the individual is at least 16 years old. If the patron is unable to provide acceptable identification, they may be denied entry to the movie. Additionally, some cinemas may have electronic age verification systems in place to streamline the process and ensure compliance with age restrictions.

  • How do the directors film their movies?

    Directors film their movies by working closely with the cinematographer to plan the visual style and composition of each shot. They use various camera angles, movements, and lighting techniques to convey the mood and emotion of the scene. Directors also collaborate with the production design team to create the overall look and feel of the film. They may use different filming techniques such as handheld, steady cam, or crane shots to achieve the desired effect. Ultimately, directors use their creative vision and technical expertise to bring the script to life on screen.

  • What do you give actors for the premiere?

    For a premiere, it is common to give actors a bouquet of flowers or a thoughtful gift that shows appreciation for their hard work. Some popular gift ideas include personalized items, luxury skincare products, or gift certificates to their favorite restaurants or stores. It is also a nice gesture to write a heartfelt note expressing gratitude for their performance.

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