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Contemporary Directors’ Cinema
Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism.The book identifies what makes nine recent films successful achievements by their directors and collaborators.Each chapter gives some context for the director’s work, but the central argument focuses on the style, form and themes of each film, while explicating aspects of point of view and tone.Contemporary Directors’ Cinema argues that in each of its nine case studies the director’s work is central to the achievement of economy, unity, eloquence, subtlety, depth, vigour, vividness and intensity.By offering critical readings of nine films from mainstream film culture, Contemporary Directors’ Cinema demonstrates that cinema remains vital as a directors’ medium. The films discussed in this book are: Pain and Glory (2019); Shoplifters (2018); Parasite (2019); The White Ribbon (2009); Les Chansons d'amour (2007); The Bling Ring (2013); The Great Beauty (2013); Leviathan (2014); and Winter Sleep (2014).
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Working with Actors : Meisner Technique for Directors and Actors
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’
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Script Analysis for Actors, Directors, and Designers
Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.
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Queer Cinema in Contemporary France : Five Directors
Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma.The films of these five major French directors exemplify queer cinema in the twenty-first century.Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors’ careers, from their earliest, often unknown films to their later, major films with wide international release.Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring.Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject. -- .
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How does police ineffectiveness manifest due to red-green color blindness?
Police ineffectiveness can manifest due to red-green color blindness in situations where officers are unable to accurately identify traffic signals or warning lights. This can lead to delays in response times or confusion during emergency situations. Additionally, red-green color blindness may hinder an officer's ability to accurately identify suspects or distinguish between different colored objects, potentially impacting their ability to make quick and accurate decisions in the field. Overall, red-green color blindness can create challenges for police officers in effectively carrying out their duties and responding to various situations.
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How does police ineffectiveness due to red-green color blindness manifest itself?
Police ineffectiveness due to red-green color blindness can manifest itself in various ways. For example, officers may struggle to accurately identify traffic signals, leading to potential accidents or traffic violations. In crime scene investigations, they may have difficulty distinguishing between different colored evidence or identifying individuals based on clothing descriptions. Additionally, red-green color blindness can impact an officer's ability to read maps or interpret color-coded information, affecting their overall effectiveness in carrying out their duties.
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What can be done to combat the ineffectiveness of the school day?
To combat the ineffectiveness of the school day, several strategies can be implemented. One approach is to incorporate more hands-on and interactive learning experiences to engage students and make learning more meaningful. Additionally, providing teachers with professional development opportunities to enhance their teaching methods and incorporate innovative techniques can help improve the effectiveness of the school day. Creating a supportive and inclusive school environment that caters to the diverse needs of students can also contribute to a more productive and successful learning experience.
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What is the ineffectiveness in a change of common property in a listed building?
The ineffectiveness in a change of common property in a listed building lies in the restrictions and regulations imposed by heritage authorities to preserve the historical and architectural significance of the building. Any alterations or modifications to the common property must adhere to strict guidelines and approvals, which can be time-consuming and costly. This can hinder the ability of owners to make necessary changes or improvements to the building, impacting its functionality and modernization. Additionally, disagreements among owners on proposed changes can further complicate the process and lead to delays in decision-making.
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Meisner in Practice : A Guide for Actors, Directors and Teachers
A step-by-step introduction to the key features of the Meisner Technique, including a full set of practical exercises. The Meisner Technique is at the forefront of actor training today: with its radical simplicity it has the power to reconnect actors with their bodies and emotions. Developed by the teacher and actor Sanford Meisner, the technique places emphasis on truthful interaction between actors.The aim is for the actor 'to live truthfully under imaginary circumstances' – to remain truly 'in the moment'. In Meisner in Practice, Nick Moseley offers actors a step-by-step introduction to the salient features of the technique, and puts these to the test through a succession of increasingly challenging practical exercises.He also addresses certain pitfalls and problems that he has encountered over many years of teaching Meisner in drama schools. This book will be of immense value to students, teachers and practitioners in exploring a technique that is becoming increasingly recognised as a core element of actor training.
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Funko POP! Movies: Directors - J.J. Abrams 10 cm
- Stylized collectable stands 3.75 inches tall (10 cm), perfect for any Funko Pop fan! - Collect and display all Toys. - Create your own FUNKO POP collection.
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Funko POP! Movies: Directors - J.J. Abrams 10 cm
- Stylized collectable stands 3.75 inches tall (10 cm), perfect for any Funko Pop fan! - Collect and display all Toys. - Create your own FUNKO POP collection.
Price: 38.99 € | Shipping*: 0.0 € -
Funko POP! Movies: Directors - J.J. Abrams 10 cm
- Stylized collectable stands 3.75 inches tall (10 cm), perfect for any Funko Pop fan! - Collect and display all Toys. - Create your own FUNKO POP collection.
Price: 37.19 € | Shipping*: 0.0 €
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What should I do next if the ineffectiveness of the external cooperative training is mentally exhausting me?
If the external cooperative training is mentally exhausting you, it's important to prioritize your well-being. Consider discussing your concerns with your supervisor or mentor to see if there are any adjustments that can be made to the training program. Additionally, you may want to explore other resources or support systems that can help you cope with the challenges you are facing. It's crucial to take care of yourself and seek help if needed to manage the stress and mental exhaustion.
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Are actors allowed to deviate from their script or screenplay?
Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.
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How do the directors film their movies?
Directors film their movies by working closely with the cinematographer to plan the visual style and composition of each shot. They use various camera angles, movements, and lighting techniques to convey the mood and emotion of the scene. Directors also collaborate with the production design team to create the overall look and feel of the film. They may use different filming techniques such as handheld, steady cam, or crane shots to achieve the desired effect. Ultimately, directors use their creative vision and technical expertise to bring the script to life on screen.
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What do you give actors for the premiere?
For a premiere, it is common to give actors a bouquet of flowers or a thoughtful gift that shows appreciation for their hard work. Some popular gift ideas include personalized items, luxury skincare products, or gift certificates to their favorite restaurants or stores. It is also a nice gesture to write a heartfelt note expressing gratitude for their performance.
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