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Contemporary Directors’ Cinema
Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism.The book identifies what makes nine recent films successful achievements by their directors and collaborators.Each chapter gives some context for the director’s work, but the central argument focuses on the style, form and themes of each film, while explicating aspects of point of view and tone.Contemporary Directors’ Cinema argues that in each of its nine case studies the director’s work is central to the achievement of economy, unity, eloquence, subtlety, depth, vigour, vividness and intensity.By offering critical readings of nine films from mainstream film culture, Contemporary Directors’ Cinema demonstrates that cinema remains vital as a directors’ medium. The films discussed in this book are: Pain and Glory (2019); Shoplifters (2018); Parasite (2019); The White Ribbon (2009); Les Chansons d'amour (2007); The Bling Ring (2013); The Great Beauty (2013); Leviathan (2014); and Winter Sleep (2014).
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Working with Actors : Meisner Technique for Directors and Actors
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’
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Script Analysis for Actors, Directors, and Designers
Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.
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Queer Cinema in Contemporary France : Five Directors
Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma.The films of these five major French directors exemplify queer cinema in the twenty-first century.Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors’ careers, from their earliest, often unknown films to their later, major films with wide international release.Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring.Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject. -- .
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Can the general meeting remove the board of directors?
Yes, in most countries, the general meeting of shareholders has the authority to remove the board of directors. This is typically done through a vote where a majority of shareholders agree to remove the board members. The specific procedures for removing the board of directors may vary depending on the company's bylaws and applicable laws.
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How can I remove this overlay in Premiere Pro?
To remove an overlay in Premiere Pro, you can try a few different methods. First, you can try adjusting the opacity of the overlay by selecting the clip and then adjusting the opacity in the Effect Controls panel. If the overlay is a separate layer, you can try deleting or disabling the layer in the timeline. Another option is to use the masking tool to cover or remove the overlay. If none of these methods work, you may need to use the "Content-Aware Fill" feature in After Effects to remove the overlay.
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How do I remove the greenscreen in Premiere Pro?
To remove the greenscreen in Premiere Pro, you can use the Ultra Key effect. First, import your footage into Premiere Pro and place it on the timeline. Then, go to the Effects panel and search for the Ultra Key effect. Drag the Ultra Key effect onto your footage and use the eyedropper tool to select the green color in your footage. Adjust the settings such as the key color tolerance and edge thin to fine-tune the keying. Finally, you can also use the Matte Cleanup options to further refine the keying.
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'How do I remove the red stripes in Premiere?'
To remove red stripes in Premiere, you can use the "Mask" tool to isolate the area with the red stripes and then adjust the color or use the "Hue/Saturation" effect to change the color of the stripes. Another option is to use the "Ultra Key" effect to key out the red color. You can also try using the "Color Key" effect to remove the red stripes by selecting the red color and adjusting the tolerance to remove it from the footage.
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Algaecide Remove Moss Without Hurting Fish, Remove Green Brown , Remove Green Water 100ml
Algaecide Remove Moss Without Hurting Fish, Remove Green Brown , Remove Green Water 100ml Description: INGREDIENTS:WATER、PROTEASE、OXIDO REDUCTASES、ALGAECIDE、WATER CLARIFIER Take an appropriate amount of clarifier and dilute it with a measuring cup at a of 5 ml clarifier to 100 L water.Pour the diluted clarified liquid evenly into all corners of the fish tank. purification , quickly improves water quality, effectively inhibits growth, keeps water clean and bright. Multi-purpose application, suitable for a variety of water bodies such as and fish tanks, providing a full range of water quality solutions. Significantly inhibits , contains anti- ingredients, effectively reproduction, and keeps the water clear and balanced. Convenient and labor-saving, , no complicated steps required, quickly restores water , time-saving and efficient. Specification: Material: plastic Note: There might be 2-3cm errors of dimension data due to manual measurement. There might be slightly color difference due to different light and monitor effect. Package includes: Algaecide:100ML*1,MEASURING CUP*1 Label: Yes Material: plastic
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Meisner in Practice : A Guide for Actors, Directors and Teachers
A step-by-step introduction to the key features of the Meisner Technique, including a full set of practical exercises. The Meisner Technique is at the forefront of actor training today: with its radical simplicity it has the power to reconnect actors with their bodies and emotions. Developed by the teacher and actor Sanford Meisner, the technique places emphasis on truthful interaction between actors.The aim is for the actor 'to live truthfully under imaginary circumstances' – to remain truly 'in the moment'. In Meisner in Practice, Nick Moseley offers actors a step-by-step introduction to the salient features of the technique, and puts these to the test through a succession of increasingly challenging practical exercises.He also addresses certain pitfalls and problems that he has encountered over many years of teaching Meisner in drama schools. This book will be of immense value to students, teachers and practitioners in exploring a technique that is becoming increasingly recognised as a core element of actor training.
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Funko POP! Movies: Directors - J.J. Abrams 10 cm
- Stylized collectable stands 3.75 inches tall (10 cm), perfect for any Funko Pop fan! - Collect and display all Toys. - Create your own FUNKO POP collection.
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Funko POP! Movies: Directors - J.J. Abrams 10 cm
- Stylized collectable stands 3.75 inches tall (10 cm), perfect for any Funko Pop fan! - Collect and display all Toys. - Create your own FUNKO POP collection.
Price: 31.49 £ | Shipping*: 0.0 £
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How can you remove the black border in Premiere Pro?
To remove the black border in Premiere Pro, you can adjust the scale of the video clip. Simply select the video clip in the timeline, go to the Effects Control panel, and adjust the Scale parameter until the black border is no longer visible. You can also try using the Crop effect to remove the black border by adjusting the top, bottom, left, and right values. Experiment with these settings until you achieve the desired result.
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How can I remove black bars in Adobe Premiere Pro?
To remove black bars in Adobe Premiere Pro, you can adjust the aspect ratio of your video by selecting the clip in the timeline, going to the Effects Control panel, and adjusting the Scale and Position settings. You can also try using the Crop effect to trim the black bars from the top and bottom of the video. Additionally, make sure your sequence settings match the aspect ratio of your video to avoid black bars.
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How can one remove the black border in Premiere Pro?
To remove the black border in Premiere Pro, you can adjust the scale of the video clip to fill the frame completely. Simply select the video clip in the timeline, go to the Effects Control panel, and adjust the Scale parameter until the black borders are no longer visible. You can also try using the Crop effect to trim the edges of the video clip. Experiment with these options until you achieve the desired result.
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Are actors allowed to deviate from their script or screenplay?
Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.
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