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Contemporary Directors’ Cinema
Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism.The book identifies what makes nine recent films successful achievements by their directors and collaborators.Each chapter gives some context for the director’s work, but the central argument focuses on the style, form and themes of each film, while explicating aspects of point of view and tone.Contemporary Directors’ Cinema argues that in each of its nine case studies the director’s work is central to the achievement of economy, unity, eloquence, subtlety, depth, vigour, vividness and intensity.By offering critical readings of nine films from mainstream film culture, Contemporary Directors’ Cinema demonstrates that cinema remains vital as a directors’ medium. The films discussed in this book are: Pain and Glory (2019); Shoplifters (2018); Parasite (2019); The White Ribbon (2009); Les Chansons d'amour (2007); The Bling Ring (2013); The Great Beauty (2013); Leviathan (2014); and Winter Sleep (2014).
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Working with Actors : Meisner Technique for Directors and Actors
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’
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To Each...
A Certain Ratio's 'To Each...' was the band's first full studio album and was originally released by Factory Records in 1981. The album was recorded in America but salvaged by Martin Hannett. A Certain Ratio mixed funk, dub, percussion and electronics to create something unique.
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Script Analysis for Actors, Directors, and Designers
Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.
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What are the best movies from each genre?
It is subjective to determine the best movies from each genre as preferences vary among individuals. However, some highly acclaimed movies from different genres include "The Godfather" for crime/drama, "The Shawshank Redemption" for drama, "The Lord of the Rings: The Return of the King" for fantasy/adventure, "Inception" for science fiction, "Schindler's List" for historical drama, "The Dark Knight" for superhero, and "Parasite" for foreign language film. These movies have received critical acclaim and have left a lasting impact on audiences.
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Do the Alien movies build on each other?
Yes, the Alien movies do build on each other. The original film sets the stage for the introduction of the alien creature and the subsequent sequels further develop its mythology and the ongoing struggle to contain and combat it. Each film adds new layers to the story, expanding on the origins of the alien, its abilities, and the impact it has on the characters and the wider universe. The sequels also explore the consequences of the alien's existence and the ongoing battle to survive and defeat it.
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Are actors allowed to deviate from their script or screenplay?
Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.
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How do actors manage not to fall in love with each other when they have to kiss each other, etc.?
Actors are professionals who are trained to separate their personal emotions from their on-screen performances. They understand that the physical intimacy they portray on screen is part of their job and does not necessarily reflect their real feelings. Additionally, there are often boundaries and guidelines in place to ensure that both actors feel comfortable and respected during intimate scenes. Ultimately, the ability to maintain a professional mindset and separate their personal lives from their work allows actors to manage their emotions and not fall in love with their co-stars.
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Each Man Kills
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Each Man Kills
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Each Peach Pear Plum
Each Peach Pear Plum - the classic picture book by Janet and Allan Ahlberg. Each Peach Pear Plum is a timeless picture book classic from the bestselling illustrator/author team Janet and Allan Ahlberg, creators of Peepo!.Each beautifully illustrated page encourages young children to interact with the picture to find the next fairy tale and nursery rhyme character. In this bookWith your little eye,Take a look,And play 'I spy'Praise for Each Peach Pear Plum:'Deceptively simple.Each Peach Pear Plum is a work of genius' Elaine Moss'This familiar rhyme has been given the brilliant Ahlbreg treatment to which no young child can fail to respond.It's a book which will be read over and over again . . . just perfect!' Child Education'A charming, pictorial fantasia...a warm, sunny, delectable picture book' Brian Alderson, The TimesAllan Ahlberg has published over 100 children's books and with his late wife Janet, created many award-winning children's picture books.The Baby's Catalogue was inspired by their daughter, Jessica.The Ahlbergs' books are nursery bookshelf standards and have been the recipient of worldwide acclaim and awards, including the Kate Greenaway Medal. Look out for these other classics by Allan Ahlberg:Burglar Bill; Cops and Robbers; The Baby's Catalogue; The One and Only Two Heads; Son of a Gun; The Little Worm Book; Two Wheels Two Heads; Funny Bones; A Pair of Sinners; Happy Families; Peepo!; The Ha Ha Bonk Book; Help Your Child to Read; Ten in a Bed; Please mrs Butler; Daisy Chains; Yum Yum; Playmates; Foldaways; Woof; The Cinderella Show; The Jolly Postman; The Jolly Christmas Postman; The Jolly Pocket Postman; The Clothes Horse and Other Stories; The Mighty Slide; Starting School; Heard it in the Playground; The Bear Nobody Wanted; It was a Dark and Stormy Night; The Giant Baby; Baby Sleeps; Blue Buggy; Doll and Teddy; See the Rabbit; Please Mrs Butler; The Better Brown Stories; The Boyhood of Burglar Bill
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Each Eye a Path
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How do actors manage to not fall in love with each other when they have to kiss each other, etc.?
Actors are professionals who understand the boundaries between their on-screen characters and their personal lives. They are trained to separate their emotions and maintain a professional relationship with their co-stars. Additionally, there are often strict guidelines and protocols in place on set to ensure that intimate scenes are choreographed and executed in a respectful and professional manner. Communication and mutual respect between actors also play a crucial role in preventing any romantic feelings from developing.
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Do you believe that voice actors know each other from different series?
Yes, voice actors often know each other from different series because the voice acting community is relatively small and tight-knit. Many voice actors work on multiple projects and attend industry events, which allows them to build relationships with their peers. Additionally, voice actors may also collaborate on projects outside of their main series, such as video games, commercials, or animated films, further expanding their network within the industry. Overall, it is common for voice actors to know each other and have professional relationships across different series.
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Are the James Bond movies independent of each other?
No, the James Bond movies are not independent of each other. While each movie has its own plot and storyline, they are all connected through the character of James Bond and the overarching themes of espionage and international intrigue. The character of James Bond is consistent throughout the series, and there are often references to events and characters from previous films. Additionally, there is a sense of continuity in the development of the character and his relationships with other recurring characters such as M, Q, and Miss Moneypenny.
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How do the directors film their movies?
Directors film their movies by working closely with the cinematographer to plan the visual style and composition of each shot. They use various camera angles, movements, and lighting techniques to convey the mood and emotion of the scene. Directors also collaborate with the production design team to create the overall look and feel of the film. They may use different filming techniques such as handheld, steady cam, or crane shots to achieve the desired effect. Ultimately, directors use their creative vision and technical expertise to bring the script to life on screen.
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