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Working with Actors : Meisner Technique for Directors and Actors
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’
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Script Analysis for Actors, Directors, and Designers
Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.
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Meisner in Practice : A Guide for Actors, Directors and Teachers
A step-by-step introduction to the key features of the Meisner Technique, including a full set of practical exercises. The Meisner Technique is at the forefront of actor training today: with its radical simplicity it has the power to reconnect actors with their bodies and emotions. Developed by the teacher and actor Sanford Meisner, the technique places emphasis on truthful interaction between actors.The aim is for the actor 'to live truthfully under imaginary circumstances' – to remain truly 'in the moment'. In Meisner in Practice, Nick Moseley offers actors a step-by-step introduction to the salient features of the technique, and puts these to the test through a succession of increasingly challenging practical exercises.He also addresses certain pitfalls and problems that he has encountered over many years of teaching Meisner in drama schools. This book will be of immense value to students, teachers and practitioners in exploring a technique that is becoming increasingly recognised as a core element of actor training.
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Essential Acting : A Practical Handbook for Actors, Teachers and Directors
How do actors fuse thought, emotion and action within their creative process?Essential Acting is an inspired and reliable toolbox for actors and teachers in the classroom, the rehearsal room and the workshop.RADA's Brigid Panet has distilled nearly 60 years of acting, directing and actor training into a unique recipe which brilliantly combines the teachings of Stanislavsky and Laban into an invaluable practical resource. These exercises are built around the need for simple, achievable techniques that can be applied by actors, teachers and directors to answer the myriad requirements of actor training.The goal is to produce a continuous level of achievement, addressing:How to rehearseHow to work with a textHow to audition for drama schoolHow to access the truth of feelings and actions. Essential Acting will be a must-have purchase for anyone looking for a comprehensive study guide to the necessary work of the actor.
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What do you give actors for the premiere?
For a premiere, it is common to give actors a bouquet of flowers or a thoughtful gift that shows appreciation for their hard work. Some popular gift ideas include personalized items, luxury skincare products, or gift certificates to their favorite restaurants or stores. It is also a nice gesture to write a heartfelt note expressing gratitude for their performance.
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How do actors get paid for movies?
Actors can get paid for movies in a few different ways. They may receive a flat fee for their work on a film, which is negotiated before filming begins. Alternatively, they may receive a percentage of the film's profits, known as a backend deal. Some actors also receive residuals, which are additional payments for the continued use of the film, such as through DVD sales or streaming. The specific payment structure can vary depending on the actor's level of experience, the budget of the film, and the negotiations between the actor and the film's producers.
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Which voice actors are used for movies?
Voice actors are used for animated movies, where they provide the voices for the characters. These actors are chosen for their ability to bring the characters to life through their vocal performances. Some well-known voice actors include Tom Hanks, Ellen DeGeneres, and Billy Crystal, who have lent their voices to popular animated films. Additionally, there are also specialized voice actors who are known for their work in dubbing foreign films into different languages.
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What costs are incurred for a cinema license for movies?
The costs incurred for a cinema license for movies can vary depending on factors such as the size of the cinema, the number of screens, the location, and the popularity of the movies being shown. Typically, cinemas must pay licensing fees to movie distributors or studios in order to screen their films. These fees can be a flat rate or a percentage of ticket sales. Additionally, cinemas may also need to invest in equipment and technology to ensure they meet the necessary standards for screening movies.
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Shakespearean Rhetoric : A Practical Guide for Actors, Directors, Students and Teachers
Classical Rhetoric, the art of persuasion, formed the sum and substance of Shakespeare’s education and was the basis of his understanding of the power of language and how it worked to move, delight and teach. Rhetoric, which seeks to explain the way that language works to influence others, provides a powerful, transformative tool for approaching text in performance. This book helps you understand the key concepts of rhetoric. It gives clear explanations, stripped of jargon, and examples of rhetorical technique in the plays. It also provides engaging, practical exercises to unlock character and to identify themes in the plays through the lens of rhetoric. Academically rigorous, based on more than a decade of practical experience in the use of rhetoric in drama at the highest level, it is an ideal companion for anyone engaging with Shakespeare in performance.
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Shakespeare and Meisner : A Practical Guide for Actors, Directors, Students and Teachers
This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare.It provides an outline of Meisner’s work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner’s techniques. Shakespeare writes about the truth in human relationships and human hearts.Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner’s note to his actors that 'text is your greatest enemy’, Shakespeare and Meisner are often considered ‘strange bedfellows’.The rhetorical complexity of Shakespeare’s text can often be perceived as rules an actor must learn in order to perform Shakespeare ‘properly’.Meisner’s main rule is that 'you can’t say ouch until you’ve been pinched’: in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment.This book explores how actors can use Meisner’s tools of ‘acting is reacting’ to discover the infinite freedom within the apparent constraints of Shakespeare’s text.
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Shakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text. Written by theatre practitioner Ed Woodall, who trained with Lecoq himself, and Shakespeare academic Abigail Rokison-Woodall, this guide begins with warm-ups and ensemble-building, and moves through explorations of the story, the world of the play, the text, character emotion, thought and physicality and staging. Lecoq’s method often relies on ‘play’, and play is often seen as trivial or inconsequential.This book argues that the more playful you are, the more playfully you investigate your speech or scene and the more physically motivated that playfulness is, the more vital and lifelike your acting of Shakespeare will be.
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Shakespeare and Stanislavsky : A Practical Guide for Actors, Directors, Students and Teachers
This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Konstantin Stanislavsky to Shakespeare. Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential theatre practitioner, Stanislavsky, to the process of rehearsing and workshopping Shakespeare’s play texts.Acting tutor and director, Annie Tyson, makes applying Stanislavsky’s methods to Shakespeare simple and accessible.She rejects and dispels the myth held by some that Stanislavsky and Shakespeare are incompatible, showing instead how the Shakespearean text offers clues to specific acting choices that are intricately connected to action and character.Drawing on years of acting, directing and teaching experience at the Drama Centre London and RADA, Tyson’s guide is full of practical tips and humour.This guide also includes a series of interviews with actors and directors who explain their approach to applying Stanislavsky to Shakespeare.
Price: 14.99 £ | Shipping*: 3.99 £
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Which good movies are suitable for home cinema?
Movies with visually stunning cinematography, immersive sound design, and engaging storytelling are ideal for a home cinema setup. Some good examples include "Avatar" for its breathtaking visuals, "Inception" for its mind-bending narrative and sound effects, and "The Dark Knight" for its intense action sequences and gripping performances. Ultimately, any movie that can fully utilize the capabilities of a home cinema system to create a cinematic experience at home would be a great choice.
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Are actors allowed to deviate from their script or screenplay?
Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.
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How do actors apply for movies or Netflix series?
Actors can apply for movies or Netflix series through a variety of methods. They can have their agents or managers submit their headshots, resumes, and demo reels to casting directors or production companies. Actors can also attend auditions and casting calls that are open to the public, or they may be invited to audition based on their previous work or reputation. Additionally, actors can network with industry professionals and build relationships that may lead to opportunities for roles in movies or Netflix series.
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How do the directors film their movies?
Directors film their movies by working closely with the cinematographer to plan the visual style and composition of each shot. They use various camera angles, movements, and lighting techniques to convey the mood and emotion of the scene. Directors also collaborate with the production design team to create the overall look and feel of the film. They may use different filming techniques such as handheld, steady cam, or crane shots to achieve the desired effect. Ultimately, directors use their creative vision and technical expertise to bring the script to life on screen.
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