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  • British Cinema, Past and Present
    British Cinema, Past and Present

    British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s.Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address:* British Cinema Studies and the concept of national cinema* the distribution and reception of British films in the US and Europe* key genres, movements and cycles of British cinema in the 1940s, 50s and 60s* questions of authorship and agency, with case studies of individual studios, stars, producers and directors* trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties* the representation of marginalised communities in films such as Trainspotting and The Full Monty* the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth* changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant* contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.

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  • Contemporary Directors’ Cinema
    Contemporary Directors’ Cinema

    Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism.The book identifies what makes nine recent films successful achievements by their directors and collaborators.Each chapter gives some context for the director’s work, but the central argument focuses on the style, form and themes of each film, while explicating aspects of point of view and tone.Contemporary Directors’ Cinema argues that in each of its nine case studies the director’s work is central to the achievement of economy, unity, eloquence, subtlety, depth, vigour, vividness and intensity.By offering critical readings of nine films from mainstream film culture, Contemporary Directors’ Cinema demonstrates that cinema remains vital as a directors’ medium. The films discussed in this book are: Pain and Glory (2019); Shoplifters (2018); Parasite (2019); The White Ribbon (2009); Les Chansons d'amour (2007); The Bling Ring (2013); The Great Beauty (2013); Leviathan (2014); and Winter Sleep (2014).

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  • Working with Actors : Meisner Technique for Directors and Actors
    Working with Actors : Meisner Technique for Directors and Actors

    Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’

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  • Script Analysis for Actors, Directors, and Designers
    Script Analysis for Actors, Directors, and Designers

    Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.

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  • Does anyone know where one can present their screenplay?

    There are several avenues where one can present their screenplay for consideration. Some options include submitting to screenplay competitions, attending pitch fests or networking events, reaching out to literary agents or managers, or utilizing online platforms like The Black List or InkTip. It's important to research and target the most appropriate channels based on the genre and style of your screenplay.

  • To whom could I turn to present my self-written screenplay?

    You could turn to literary agents, entertainment lawyers, or talent managers to present your self-written screenplay. These professionals have the industry connections and expertise to help you navigate the process of getting your screenplay in front of producers, directors, and production companies. Additionally, you could also consider entering screenplay competitions or attending film festivals to network and showcase your work to industry professionals.

  • How present is religion in the present?

    Religion continues to be a significant presence in the present, with billions of people around the world practicing various faiths. It plays a role in shaping cultural, social, and political dynamics, and continues to influence individuals' beliefs and values. Additionally, religious institutions and practices are visible in many aspects of daily life, from religious holidays and rituals to the presence of religious buildings and symbols in communities. Despite the rise of secularism and the decline of religious affiliation in some regions, religion remains a prominent force in shaping the world today.

  • Is present tense the same as Simple Present?

    Yes, present tense and Simple Present are often used interchangeably to refer to the verb form that describes actions happening in the current moment or habitual actions. The Simple Present tense is a specific grammatical form used to talk about present actions, while present tense is a broader term that encompasses all verb forms used to describe actions happening now.

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  • Queer Cinema in Contemporary France : Five Directors
    Queer Cinema in Contemporary France : Five Directors

    Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma.The films of these five major French directors exemplify queer cinema in the twenty-first century.Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors’ careers, from their earliest, often unknown films to their later, major films with wide international release.Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring.Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject. -- .

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  • Present Tense
    Present Tense

    Chicago trio FACS never stop pushing forward; they've honed and refined their stark, minimal scrape and clatter for four years and counting, having risen out of the ashes of beloved Chicago band Disappears in 2018 with the bone-rattling intensity of 'Negative Houses'. The trio return in 2021 with 'Present Tense', their fourth album and perhaps their sharpest statement as a band.

    Price: 14.99 £ | Shipping*: 3.99 £
  • Present Tense
    Present Tense


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  • Present Future
    Present Future

    Learn from the past. Understand the present. Explore the future." . . . Present Future is a fascinating, expert look at the history of the key technological advances affecting life today, and preparation for the exponential leaps yet to come. . . . "-BILL MARIS, Founder and First CEO of Google Ventures, Founder of Calico, Founder of Section 32"With the context of an economic historian and the on-the-ground insights of an active technology investor, Perelmuter's Present Future brings readers to the bleeding edge of the science and technologies poised to revolutionize the 21st century. Comprehensive and yet enthralling, the book is a must-read for anyone who has an intellectual or commercial interest in what the future may hold."-PETER HEBERT, Co-Founder and Managing Partner, Lux Capital". . . Perelmuter draws upon his own experiences as a successful tech entrepreneur and investor, and the writings of dozens of other experts, to highlight the most important implications of multiple emerging technologies. Recommended!"-BEN CASNOCHA, Co-Author of the #1 New York Times best seller The Start-up of You"A comprehensive survey of action across the entire frontier of advanced technologies is daunting in concept and even more so in execution. Guy Perelmuter has pulled it off, providing an accessible yet historically informed review from the world of algorithms to the world of genomic analysis by way of just about every field of science in between. Most important: He avoids the hype-ridden cheerleading that all too often accompanies accounts of breakthrough innovation. . . "-BILL JANEWAY, Venture Capitalist, Economist, Author of Doing Capitalism in The Innovation Economy: Reconfiguring the Three-Player Game Between Markets, Speculators and the State

    Price: 15.00 £ | Shipping*: 3.99 £
  • Are actors allowed to deviate from their script or screenplay?

    Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.

  • Is the tense correct: Present Progressive or Simple Present?

    The tense used in a sentence depends on the context and the action being described. The Present Progressive tense is used to describe actions that are currently happening or ongoing, while the Simple Present tense is used to describe habitual actions or general truths. It is important to choose the correct tense based on the specific situation being described in order to accurately convey the intended meaning.

  • Is Simple Present and Present Simple the same thing?

    Yes, "Simple Present" and "Present Simple" are the same thing. They both refer to the tense used to describe actions that happen regularly, habits, general truths, and scheduled events in the present time. Both terms can be used interchangeably to describe the basic present tense in English grammar.

  • Is Present Progressive and Present Continuous the same thing?

    Yes, Present Progressive and Present Continuous are the same thing. Both terms refer to the tense used to describe actions that are currently happening at the moment of speaking. In English grammar, these terms are used interchangeably to describe ongoing actions in the present.

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