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  • Short Films: Writing the Screenplay
    Short Films: Writing the Screenplay

    Every award-winning short film begins life with a clever idea, a good story and a screenplay.Patrick Nash analyses the process of writing short film screenplays and gives advice on: Story and structureIdeas generationPlot and paceScreenplay formatDos and don'tsEliciting emotionDialogue and subtextCharacter designProtagonists and antagonists Character motivation and goalsConflict, obstacles and stakesClichés and StereotypesBeginnings, middles and endsHooking the viewerScreenplay competitionsLoglines, outlines and synopsesRewriting and lengthPracticalities and budgets The book also includes a number of award-winning scripts and interviews, advice and contributions from their award-winning screenwriters and a discussion of the benefits to writers of writing short screenplays.

    Price: 19.99 £ | Shipping*: 3.99 £
  • Writing About Movies
    Writing About Movies

    Two books in one: a handy guide to the process of academic writing and a brief but thorough introduction to the basics of film form, film theory and film analysis.Clear, accessible and surprisingly affordable, it’s the only writing guide a student of film will ever need.

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  • Contemporary Directors’ Cinema
    Contemporary Directors’ Cinema

    Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism.The book identifies what makes nine recent films successful achievements by their directors and collaborators.Each chapter gives some context for the director’s work, but the central argument focuses on the style, form and themes of each film, while explicating aspects of point of view and tone.Contemporary Directors’ Cinema argues that in each of its nine case studies the director’s work is central to the achievement of economy, unity, eloquence, subtlety, depth, vigour, vividness and intensity.By offering critical readings of nine films from mainstream film culture, Contemporary Directors’ Cinema demonstrates that cinema remains vital as a directors’ medium. The films discussed in this book are: Pain and Glory (2019); Shoplifters (2018); Parasite (2019); The White Ribbon (2009); Les Chansons d'amour (2007); The Bling Ring (2013); The Great Beauty (2013); Leviathan (2014); and Winter Sleep (2014).

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  • Working with Actors : Meisner Technique for Directors and Actors
    Working with Actors : Meisner Technique for Directors and Actors

    Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’

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  • Is it worth writing a screenplay?

    Writing a screenplay can be worth it if you are passionate about storytelling and filmmaking. It can be a fulfilling creative endeavor and a way to bring your ideas to life on the screen. Additionally, if your screenplay is well-received, it can open doors to opportunities in the film industry and potentially lead to a successful career as a screenwriter. However, it's important to be aware that breaking into the industry can be challenging, and success is not guaranteed. Ultimately, the decision to write a screenplay should be based on your passion for storytelling and your willingness to persevere in a competitive field.

  • What kind of dramatic music is suitable for writing a screenplay?

    The kind of dramatic music suitable for writing a screenplay depends on the tone and mood of the scene being written. For intense and suspenseful moments, a score with strong percussion and tense strings can heighten the tension. For emotional and poignant scenes, a melodic and orchestral score can evoke the desired feelings. It's important to choose music that complements the story and enhances the emotional impact of the scene being written.

  • How do I create a self-writing title in Adobe Premiere Pro?

    To create a self-writing title in Adobe Premiere Pro, you can use the "Text" tool to create a new text layer. Then, you can animate the text by using the "Position" and "Scale" properties to make it appear as if it is writing itself. You can also use the "Mask" tool to reveal the text gradually. Additionally, you can add keyframes to the text properties to control the timing and speed of the self-writing effect. Finally, you can customize the appearance of the text, such as font, color, and size, to achieve the desired look for your self-writing title.

  • What are the differences between picture writing, word writing, and alphabet writing?

    Picture writing, also known as pictographs, uses pictures or symbols to represent words or ideas. Word writing uses characters or symbols to represent individual words or syllables. Alphabet writing uses a set of letters to represent individual sounds, allowing for the creation of a wide range of words and ideas. While picture writing and word writing are more limited in their ability to represent language, alphabet writing allows for a more flexible and efficient way to convey a wide range of information.

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  • Script Analysis for Actors, Directors, and Designers
    Script Analysis for Actors, Directors, and Designers

    Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.

    Price: 34.99 £ | Shipping*: 0.00 £
  • How To Write a Screenplay : Your Step By Step Guide To Writing Screenplays
    How To Write a Screenplay : Your Step By Step Guide To Writing Screenplays

    Do you have a Big Movie Idea that you're just dying to write, but aren't quite sure how to do it? Don't know how to compile and organize your ideas in a cohesive manner? Are you unsure of the "rules" of screenwriting, but are willing to learn?HOW TO WRITE A SCREENPLAY, by Travis Seppala, may just be the book for you. In it, Travis outlines very clearly the dos and don'ts of writing a screenplay. He will help you through the whole process from coming up with a high concept idea that is marketable, and walks through the steps to plan your story and characters out, write the script, edit and rewrite, and finally how to get your finished screenplay out into the world.Travis's detailed and easy to understand text is accompanied by pictures and screenshots to help you see exactly what he's talking about and lets you learn by example.No corner is unturned as this book walks you through everything you need to know on your screenwriting journey using tools like character webbing, screenwriting software, and online services to find producers looking for your scripts.So if you've always wanted to write a script to be turned into a major motion picture on the big screen, now you can find out how with HOW TO WRITE A SCREENPLAY, by Travis Seppala.HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts. 

    Price: 29.99 £ | Shipping*: 0.00 £
  • Writing for the Cut : Shaping Your Script for Cinema
    Writing for the Cut : Shaping Your Script for Cinema


    Price: 22.50 £ | Shipping*: 3.99 £
  • Your Storytelling Potential : The Underground Guide to Finally Writing a Great Screenplay or Novel
    Your Storytelling Potential : The Underground Guide to Finally Writing a Great Screenplay or Novel

    Writers seeking to create novels and screenplays with genuine layers and depth will find essential insight in Mitchell German’s Your Storytelling Potential!After studying filmmaking and screenwriting at NYU—one of the premier film studies programs in the United States (if not the world)—Mitchell German graduated with a complete doctrine on storytelling theory in his arsenal; yet his screenplays still lacked the potency he desired.He spent ten years studying every available book and “expert” on storytelling, but it wasn’t until 2002, after endlessly studying the movie Liar Liar, that Mitchell found the key and developed the Your Storytelling Potential Method.The truth about great storytelling is hidden in plain view for anyone to see, but nearly every expert ignores the most basic story construct.In Your Storytelling Potential, writers who seek to tell great stories will find:A complete understanding of the Identifiable Traits great novels and screenplays (namely movies) have that distinguish them from the other 99.99% of books and screenplays written every yearHow to use Two Stories within a screenplay and novel, which exponentially increases the chances of those stories gaining buzz and attention A proper understanding of the critical and essential role of Subplots to create genuine character depth and relationshipsHow to properly integrate a Theme for stories to convey deep, relevant, and amazing ideas An outline for utilizing A/B Parallel Story Structure and the Simple Story Timeline to build multi-dimensional stories with the required converging events of the A-Story/B-Story relationshipHow the premise of every great story is created by the convergence of the A & B Storylines, and how this Key Information can unlock Your Storytelling Potential

    Price: 15.99 £ | Shipping*: 3.99 £
  • Search for writing programs for writing with the mouse.

    There are various writing programs available that allow users to write using a mouse. Some popular options include Microsoft Word, Google Docs, and Adobe InDesign. These programs offer features such as text editing, formatting, and spell-checking, all of which can be easily accessed and utilized with a mouse. Additionally, there are specialized writing programs designed specifically for individuals who may have difficulty using a keyboard, offering alternative input methods like mouse or touchpad typing.

  • Are actors allowed to deviate from their script or screenplay?

    Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.

  • Which writing perspective?

    The writing perspective refers to the point of view from which a story is told. It can be first person, where the narrator is a character in the story and uses "I" to tell the story. It can also be second person, where the narrator addresses the reader as "you," or third person, where the narrator is not a character in the story and uses "he," "she," or "they" to tell the story. The choice of writing perspective can greatly impact how the reader experiences and interprets the story.

  • Is writing boring?

    Writing can be boring for some people, especially if they are not interested in the topic or struggle with the process. However, for others, writing can be a creative and engaging activity that allows them to express their thoughts and ideas. It ultimately depends on the individual and their perspective on writing.

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