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‘You’ and ‘Thou’ in Shakespeare : A Practical Guide for Actors, Directors, Students and Teachers
Romeo and Juliet always use ‘thou’ to each other, but they are the only pair of lovers in Shakespeare to do this.Why? All the women in Richard III address Richard as ‘thou’, but no man ever does.Why? When characters address the dead, they use ‘thou’ – except for Hamlet, who addresses Yorick as ‘you’.Why? Shakespeare’s contemporaries would have known the answers to these questions because they understood what ‘thou’ signified, but modern actors and audiences are in the dark.Through performance-oriented analysis of extracts from the plays, this book explores the language of ‘trulls’ and termagants, true loves and unwelcome wooers, male impersonators, smothering mothers, warring spouses and fighting men, as well as investigating lèse-majesté, Freudian slips, crisis moments and rhetorical flourishes.Drawing on work with RSC actors, as well as the author’s experience of playing a range of Shakespearean roles, the book equips the reader with a new tool for tracking emotions, weighing power relations and appreciating dazzling complexity.
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‘You’ and ‘Thou’ in Shakespeare : A Practical Guide for Actors, Directors, Students and Teachers
Romeo and Juliet always use ‘thou’ to each other, but they are the only pair of lovers in Shakespeare to do this.Why? All the women in Richard III address Richard as ‘thou’, but no man ever does.Why? When characters address the dead, they use ‘thou’ – except for Hamlet, who addresses Yorick as ‘you’.Why? Shakespeare’s contemporaries would have known the answers to these questions because they understood what ‘thou’ signified, but modern actors and audiences are in the dark.Through performance-oriented analysis of extracts from the plays, this book explores the language of ‘trulls’ and termagants, true loves and unwelcome wooers, male impersonators, smothering mothers, warring spouses and fighting men, as well as investigating lèse-majesté, Freudian slips, crisis moments and rhetorical flourishes.Drawing on work with RSC actors, as well as the author’s experience of playing a range of Shakespearean roles, the book equips the reader with a new tool for tracking emotions, weighing power relations and appreciating dazzling complexity.
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Contemporary Directors’ Cinema
Contemporary Directors’ Cinema refreshes the argument about the role of the director through the practice of evaluative criticism.The book identifies what makes nine recent films successful achievements by their directors and collaborators.Each chapter gives some context for the director’s work, but the central argument focuses on the style, form and themes of each film, while explicating aspects of point of view and tone.Contemporary Directors’ Cinema argues that in each of its nine case studies the director’s work is central to the achievement of economy, unity, eloquence, subtlety, depth, vigour, vividness and intensity.By offering critical readings of nine films from mainstream film culture, Contemporary Directors’ Cinema demonstrates that cinema remains vital as a directors’ medium. The films discussed in this book are: Pain and Glory (2019); Shoplifters (2018); Parasite (2019); The White Ribbon (2009); Les Chansons d'amour (2007); The Bling Ring (2013); The Great Beauty (2013); Leviathan (2014); and Winter Sleep (2014).
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Working with Actors : Meisner Technique for Directors and Actors
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them.It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character’s objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the ‘pay-off’: the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers:> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;> a prioritisation of the key skills for coming alive in the moment – listening and putting one’s attention wholly on the other character/actor;> a historical perspective on how Meisner’s methods have evolved and why they provide the basis of truthful acting;> for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen’s ‘endowment’, to enhance the ‘reality of doing’
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What do you give actors for the premiere?
For a premiere, it is common to give actors a bouquet of flowers or a thoughtful gift that shows appreciation for their hard work. Some popular gift ideas include personalized items, luxury skincare products, or gift certificates to their favorite restaurants or stores. It is also a nice gesture to write a heartfelt note expressing gratitude for their performance.
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Are actors allowed to deviate from their script or screenplay?
Yes, actors are often allowed to deviate from their script or screenplay to some extent. Many directors and writers encourage actors to bring their own interpretation and creativity to their roles, which may involve improvising or adding their own lines. However, the extent to which actors can deviate from the script often depends on the specific production and the preferences of the director and writer. In some cases, actors may need to stick closely to the script, especially in highly scripted or tightly choreographed scenes.
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How do the directors film their movies?
Directors film their movies by working closely with the cinematographer to plan the visual style and composition of each shot. They use various camera angles, movements, and lighting techniques to convey the mood and emotion of the scene. Directors also collaborate with the production design team to create the overall look and feel of the film. They may use different filming techniques such as handheld, steady cam, or crane shots to achieve the desired effect. Ultimately, directors use their creative vision and technical expertise to bring the script to life on screen.
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Do you watch more American movies or German movies in the cinema?
As an AI language model, I do not watch movies in the cinema. However, statistically speaking, American movies tend to have a wider international distribution and are more commonly shown in cinemas around the world, including in Germany. Therefore, it is likely that more people in Germany watch American movies in the cinema compared to German movies. However, there is also a strong local film industry in Germany, and many people in the country do enjoy watching German movies in the cinema as well.
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Script Analysis for Actors, Directors, and Designers
Script Analysis for Actors, Directors, and Designers, Seventh Edition, teaches the skills of script analysis using a formalist approach that examines the written part of a play to evaluate its potentials for performance and production. This new edition features new and revised content, including an analysis of two new plays, Kalidasa’s Shakuntala and Federico Garcia Lorca’s The House of Bernarda Alba; information for the theatre designer integrated in chapters throughout the book; and an expanded appendix on critical approaches to script analysis.Explorations of both classic and unconventional plays are combined with clear examples, end-of-chapter summaries, and stimulating questions that will allow actors, directors, and designers to immediately incorporate the concepts and processes into their theatre production work. An excellent resource for students of acting, script analysis, directing, playwriting, and stage design courses, this book provides the tools to effectively bring a script to life on stage.
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You, Me and the Movies
A love story like no other! Perfect for fans of David Nicholls, Jojo Moyes and Richard Curtis films, You, Me and the Movies will leave you crying tears of joy and sadness. When Arden meets Mac she quickly falls for the handsome, charismatic film lecturer.Their love is the sort you see in movies: dramatic, exciting and all-consuming... and complicated. A love like theirs could never last. But years later, whilst visiting a friend in hospital, Arden sees the one face she could never forget.Badly injured, Mac can only make brief references to the classic films they once watched together.Which is all it takes for Arden to remember everything...Will Arden ever find a movie-worthy love again?________What everyone is saying about You, Me and the Movies:'Moving and emotional' Eva Woods, bestselling author of How to be Happy 'I LOVED THIS BOOK!!You, Me and The Movies is beautifully crafted, funny, uplifting and guaranteed to leave you smiling!!!This is one of those BIG WONDERFUL books that pulls you in and doesn't let you go until the very last page.' Lauren North, author of The Perfect Betrayal'It made me laugh, cry and want to watch lots more old movies' *****'Nostalgic and lovely and just leaves you with a warm feeling' *****'Pulls you in and doesn't let you go until the very last page' *****'I can't begin to say how much I LOVED this book.It had me laughing, falling in love and ultimately crying.' *****'I'm an absolute mess.This is a beautiful novel. Completely unexpected... I was captured by the now and then aspect of the story...I'm off now to re-watch The Way We Were.' *****
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You Are What You Watch : How Movies and TV Affect Everything
Virtually anyone who has ever watched a profound movie, a powerful TV show, or read a moving novel understands that entertainment can and does affect us in surprising and significant ways.But did you know that our most popular forms of entertainment can have a direct physical effect on us, a measurable impact on society, geopolitics, the economy, and even the future itself?In You Are What You Watch, Walter Hickey, Pulitzer Prize winner and former chief culture writer at acclaimed data site FiveThirtyEight.com, proves how exactly how what we watch (and read and listen to) has a far greater effect on us and the world at large than we imagine. Employing a mix of research, deep reporting, and 100 data visualizations, Hickey presents the true power of entertainment and culture.From the decrease in shark populations after Jaws to the increase in women and girls taking up archery following The Hunger Games, You Are What You Watch proves its points not just with research and argument, but hard data.Did you know, for example, that crime statistics prove that violent movies actually lead to less real-world violence? And that the international rise of anime and Manga helped lift the Japanese economy out of the doldrums in the 1980s? Or that British and American intelligence agencies actually got ideas from the James Bond movies?In You Are What You Watch, readers will be given a nerdy, and sobering, celebration of popular entertainment and its surprising power to change the world.
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Queer Cinema in Contemporary France : Five Directors
Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma.The films of these five major French directors exemplify queer cinema in the twenty-first century.Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors’ careers, from their earliest, often unknown films to their later, major films with wide international release.Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring.Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject. -- .
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How do you like 3D movies in the cinema?
I personally enjoy 3D movies in the cinema because they provide a more immersive and visually engaging experience. The depth and realism added by the 3D effects make the movie-going experience more exciting and captivating. However, I do find that some 3D movies can be overwhelming or uncomfortable to watch, especially if the effects are too intense or if the 3D glasses are not comfortable. Overall, I appreciate the added dimension that 3D movies bring to the cinema, but it ultimately depends on the quality of the 3D effects and how well they are integrated into the film.
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What do you know about good movies with hot actors?
Good movies with hot actors are often popular for their combination of attractive leads and compelling storytelling. These movies often attract a wide audience and generate a lot of buzz. However, it's important to remember that a movie's quality should not solely be judged based on the attractiveness of its actors, but rather on the strength of its writing, direction, and overall production value. Some examples of good movies with hot actors include "A Star is Born" with Bradley Cooper and Lady Gaga, "Crazy, Stupid, Love" with Ryan Gosling and Emma Stone, and "Magic Mike" with Channing Tatum.
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How can you send a screenplay?
You can send a screenplay by attaching it to an email and sending it to the intended recipient. Make sure to follow any specific submission guidelines provided by the recipient, such as file format and naming conventions. Alternatively, you can also send a screenplay through a file-sharing service or by mailing a physical copy. It's important to always obtain permission before sending a screenplay to ensure it is being submitted to the appropriate party.
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Can you watch 3D movies in 2D at the cinema?
No, 3D movies are specifically designed to be viewed in 3D with the help of special glasses that create the illusion of depth. If you choose to watch a 3D movie in 2D at the cinema, you will not be able to experience the intended visual effects and depth perception that the movie was created with. It is best to watch 3D movies in their intended format to fully appreciate the visual experience.
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